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SWEET FACTORY
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Dave Fitzsimon and his new project, sweetfactory.
Dave was the frontman and songwriter for Wellington band PARKA,
1997-1999. PARKA was played across the b-net stations and
several other rock stations in NZ and Australia, and had tracks on many
NZ on Air Indie Hit Discs during this period.One of these tracks was 'some
girls' a grunged up racy cover featuring 'Julia Deans'(fur patrol)which
also ended up on a short film soundtrack. Another track 'you'll never
know' is on the soundtrack of NZ feature film 'Hopeless'. Parka
also recorded a self titlled album during this period. The Parka
lineup included Maria Paterson(tadpole, mark de clive
lowe &tim finn) and momoent(banshee reel & jacky
tar). At the end of 1999 Dave moved to London to pursue his
career. In late 1999 Island Records recorded four PARKA
songs, which were in the following year picked up by Howard Marks'(Mr
Nice) label Bothered Records. In 2001 they released a compilation
album 'Under the Influence' featuring artists such as Elastica,
Shaun Ryder, Stereophonics, super furry animals and
PARKA. Dave also recorded a 3 track ep around this period. parka
played all the well know indie venues of London such as The Dublin
Castle, The Monach, The Water Rats, THe 100 club
and dave even performed solo at the world famous jazz venue 'Ronnie
Scotts'. In 2002 Dave suffered a serious hand injury and was forced
to stop playing for two years. In 2004
Dave started writing again and in December recorded this album under a
new name, sweetfactory. sweetfactory are made up of the
london parka, tony and steve wilson(guitar and bass)
and chris page(drums) formerly of brit rock band 'Orange'(chrysalis
records) and the 'Kevin Mcdermott orchestra'. Robbie macintosh
of the pretenders and paul mc cartney fame also contribute
to the sweetfactory album. sweetfactory has interest from
English labels already, and hopes to have the album out in time to tour
the U.K this year.. Contact: davidfitzsimon@hotmail.com
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Note: Pay Pal payments are made in US dollars. If you want to pay in NZ dollars email me and we can work something out ie: cheque, credit card or direct debit
DISOGRAPHY
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PT030: Sweet Factory - Beautiful Sin (CD Album) 2005 1.Someone like you 2.Talk of the town 3.Milk it 4.Walls 5.Love your life 6.Pornstar 7.Too far gone 8.Alleyways 9.Ordinary day 10.Beautiful sin |
US: $13.95 NZ: $20.00 |
REVIEWS AND ARTICLES
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REVIEW DRILL ISSUE 15 OCT
2005:Beautiful Sin: The Sweet Factory Having read a little about
Dave Fitzsimon's musical history in Drill
No.10 and hearing 'Someone Like You' from the sampler, I eagerly waited
for Sweet Factory's 'Beautiful Sin' album to arrive, I was sure
I was going to like it. And I was right. It made me feel like a little
kid again, listening to my older brothers' albums in the mid 70s. Of course,
'Someone Like You' is a contemporary powerpop jewel, brimming with energy,
melody, brightness and guitars. The feel softens slightly on 'Talk of
the Town' where Dave's vocal conjures up sweet memories of Noddy Holder
singing a Slade ballad, has an uncanny resemblance. The saucy 'Milk
It' sounds as good as a caramel milkshake tastes, a blissful - just woken
up but lying in on a Sunday morning kind of feel. I can imagine Liam
Gallagher singing this song, it would fit nicely on an Oasis LP
sans the attitude. The fourth charmer is 'Walls'. A world-class piano
led ballad, superbly recorded. This time, Dave's youthful, husky and honest
voice has him doing a great impression of the Eazybeats' front
man, Stevie Wright. 'Love Your Life' comes across as a strange
fusion of subtle Britpop and southern boogie, 'hell y'all it works ...
don't it guv". If this track was on 'Revolver' it wouldn't be out of place.
However, one aspect of it confuses me .... the distorted, low frequency
percussive beat that hits sporadically on the third beat of most bars
in the chorus? It's great enough without it. The most rocking track on
this album is 'Pornstar' which displays glimpses of Jet, Free and
AC/DC due to the chord riffs and guitar sounds. A great guitar
solo is the icing on the cake of this cracker of a tune. If you think
that I'm making too many references to other bands whose influences I
can hear on this album then hear me out. What is happening here is that
those little hints of influence are the mere catalysts for something that
is far greater, which is the songs herein. Track 7 is 'Too Far Gone' which
demonstrates to the likes of Aussie band Powderfinger that this
is how there song 'Sunsets' should have turned out. Similar feel but Dave
can sing! It builds to a great crescendo full of guitars and more guitars
... yeah! At this stage I was thinking "There's gotta be a naff song on
'ere somewhere, all albums have a dodgy song or two", but next up was
'Alleyways' and my judgement was wrong again. As with 'Walls', this is
another world-class Britpop ballad. The melody in the chorus gave me goose
bumps and lyrically, observations of mundane surroundings are romanced
and glorified with a simplistic, poetic beauty. 'Ordinary Day' is as close
to perfect as a ballad can get. The recording and performance are crystal
clear, emotive and honest, building to a fittingly restrained crescendo.
Track 10, the title track 'Beautiful Sin' is figurative, beautiful ...
and it's a sin this album's come to an end. There's just a hint of organ
to colour this song slightly and how could you go wrong with a chorus
of "Love don't leave a light on, don't leave an open door ..... " 'Beautiful
Sin' by Sweet Factory smacks of experience, style and precision.
Lyrically mature but with youthful delivery, it's descriptive in its story
telling and teaming in imagery. A brilliantly recorded and produced album,
but far from over produced. It sounds like a major label release but because
it isn't, then I like it even more. It wouldn't surprise me if it did
become a major label release in the future. Rohan Belton Smashed Records
Gold Coast, Queensland, Australia www.smashedrecords.com
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